
1970 · Claude Chabrol
How The Butcher has been received, argued over, and remembered.
Praised on release as the peak of Chabrol's late-'60s hot streak, it has only climbed since — now routinely called his masterpiece and a fixture on best-French-thriller lists, exhibit A in the case that Chabrol was the most underrated of the New Wave.
The perennial fight is over the ending — quietly devastating or frustratingly opaque? — folded into the bigger cinephile argument about whether Chabrol deserves a seat beside Godard and Truffaut.
This is the film that gets tagged 'the best Hitchcock film Hitchcock never made' — the shorthand critics reach for whenever Chabrol's Hitchcock obsession comes up, fitting for the man who co-wrote the first book-length study of Hitchcock.
The standard gateway drug to Chabrol — the one title from his fifty-plus films that shows up on 'essential French cinema' lists and Letterboxd four-star reviews alike.