
2003 · James Mangold
How Identity has been received, argued over, and remembered.
A modest hit in spring 2003 — it opened #1 at the US box office — with reviews split between 'clever' and 'gimmicky,' it's since settled into beloved-rewatchable status, a staple of 'underrated 2000s thrillers' lists and streaming rediscovery threads.
The eternal fight is over the twist: is it an audacious rug-pull that rewards a second viewing, or a cheat that retroactively voids everything you were invested in?
It's a fixture of every 'best (and worst) twist endings' ranking ever compiled, and it gave a whole generation the creeps about the old 'Yesterday, upon the stair, I met a man who wasn't there' rhyme — plus the rain-soaked-motel-full-of-strangers setup it perfected keeps getting borrowed.
A canon climber of the comfort-thriller kind — the movie Letterboxd users describe as 'they don't make mid-budget ones like this anymore' and press on anyone who claims to love a good twist.