
1962 · Francesco Rosi
How Salvatore Giuliano has been received, argued over, and remembered.
It arrived as a sensation — Silver Bear for Best Director at Berlin in 1962 and a founding text of Italian political cinema — then drifted into 'respected but unseen' territory abroad, until Criterion and Martin Scorsese's vocal championing restored it as essential viewing.
The perennial debate: is it a masterstroke or a frustration that the title character is barely a character at all — glimpsed at a distance, defined mostly by his absence?
Its investigative, timeline-shuffling reconstruction of a real death became the template for the political docudrama — you can feel its DNA in everything from The Battle of Algiers to JFK.
A cinephile rite of passage more than a crowd-pleaser — the 'you must see this' cornerstone of Italian political cinema that separates the casual Italophile from the deep-diver.