Sightlines · reception

How Force Majeure was received

2014 · Ruben Östlund · Force Majeure on Sightlines

The arc

An instant arthouse hit — it took the Un Certain Regard Jury Prize at Cannes 2014 and became a word-of-mouth sensation as 'the avalanche movie' — and its standing has only climbed since, now viewed as the film that launched Östlund's run toward two Palmes d'Or.

What’s debated

The eternal fan debate is whether Tomas's split-second reaction is a forgivable human reflex or an unforgivable betrayal — the film is famous for starting real arguments between couples who watch it together.

Its footprint

The ski-lodge avalanche lunch is one of the 2010s' most referenced scenes, and the premise became a dinner-party litmus test ('what would YOU do?'); Hollywood remade it as Downhill (2020) with Will Ferrell and Julia Louis-Dreyfus, and the remake's lukewarm reception only burnished the original.

Where it stands

A Letterboxd-era favorite and the gateway drug to Östlund's cinema of squirm — the 'you must see this' pick of modern European cringe comedy.

Did you know? When Force Majeure made the Oscar foreign-language shortlist but missed the final five nominations, Östlund and his producer filmed themselves watching the announcement — the video of the director's howl of anguish circulated widely and became a meta-moment of cringe worthy of his own films.

Named by the director

  • Roy Andersson — Östlund has repeatedly cited his fellow Swede's fixed-camera tableaux and absurdist observation of human behavior as a formative influence on his style.

A Deleuzian reading of Force Majeure →