
2010 · Karan Johar
How My Name Is Khan has been received, argued over, and remembered.
In 2010 it was a full-blown event — a record-smashing overseas opening, a Berlinale premiere, and a release week so charged that Mumbai theatres needed police protection. Today it's remembered less as a great film than as a fascinating cultural moment: a sincere, hugely ambitious swing whose melodrama and disability portrayal have divided viewers ever since.
The perennial fight: is it a genuinely moving plea against post-9/11 Islamophobia, or Karan Johar sanding a serious subject down into 'Bollywood Forrest Gump' — with Shah Rukh Khan's Asperger's performance either his bravest work or an awards-bait caricature, depending on who you ask.
"My name is Khan, and I am not a terrorist" instantly escaped the film — quoted, parodied, and invoked in real debates about profiling, it's one of the most recognisable lines in modern Indian cinema. The film's own release became part of its meaning: Shiv Sena protests over SRK's comments about Pakistani cricketers turned buying a ticket into a political act for many fans.
A touchstone of 2010s Bollywood memory rather than a cinephile canon entry — essential to the Shah Rukh Khan mythology (and the beloved SRK–Kajol reunion, their first pairing since Kabhi Khushi Kabhie Gham) even for those who find the film itself uneven.