
1979 · Govindan Aravindan
How Kummatty has been received, argued over, and remembered.
For decades this was a film Malayalis grew up on but the wider world couldn't see — the elements had decayed almost to nothing. Then the 2021 4K restoration by Scorsese's World Cinema Project and India's Film Heritage Foundation premiered at Bologna's Il Cinema Ritrovato, and it was reborn as a global rediscovery, now routinely called one of the greatest children's films ever made.
The perennial Letterboxd debate: is this actually a children's film, or a nearly plotless folk reverie that just happens to star children — and does calling it 'slow' miss the point entirely?
In Kerala it lives on through Kavalam Narayana Panicker's songs, still sung by generations of schoolchildren, and through the shaggy, dancing Kummatty figure itself, drawn from the Kummattikali folk masquerade of Malabar.
A textbook restoration-era canon climber — from regional treasure known mainly to Malayali audiences to international art-house essential, and now the film most cinephiles meet Aravindan through.