← As Above, So Below
As Above, So Below poster

As Above, So Below · reception & legacy

2014 · John Erick Dowdle

How As Above, So Below has been received, argued over, and remembered.

The arc

Critics shrugged it off in August 2014 as another found-footage cash-in, but a decade of horror-fan word of mouth has flipped it into a genuinely beloved cult item — it now routinely tops 'most underrated found footage' lists and gets an annual spooky-season revival.

What's debated

The perennial fight is whether it's one of the last great found-footage films or proof the format was running on fumes — with a side debate over whether the audacious final act is brilliant or unearned.

Its footprint

It's the reason 'Paris catacombs horror' is a whole vibe online — the tagline 'The only way out is down' and that infamously claustrophobic tunnel-crawl get invoked any time catacombs content trends, and it's the standard double-feature partner to The Descent.

Where it stands

A cult climber: dismissed then, now a Letterboxd horror-community favourite and a reliable 'no, seriously, it's good' recommendation.

★ Did you know? It was actually shot in the real Paris catacombs — the production got rare government permission to film in the off-limits ossuary tunnels, where there was no electricity, so scenes were lit largely by the camera- and helmet-mounted lights the actors carried themselves.