
1949 · George Cukor
How Adam's Rib has been received, argued over, and remembered.
A hit on release and one of the most warmly reviewed of the Tracy–Hepburn pictures, it has only climbed since — now a National Film Registry title and a fixture on lists of the greatest American comedies, routinely called the best of their nine films together.
The perennial fight is over its gender politics: is this genuinely ahead-of-its-time feminist filmmaking, or a battle-of-the-sexes comedy that ultimately plays it safe? Every rewatch thread relitigates it.
It's the template practically every 'sparring couple who are also professional rivals' comedy gets measured against, and its DNA runs through decades of courtroom and screwball descendants — it even spawned a 1973 TV series of the same name. Cole Porter contributed an original song, 'Farewell, Amanda,' written for the film.
Firmly canon rather than cult — the consensus pick for peak Tracy–Hepburn and a 'you must have seen this' entry for anyone working through classic Hollywood comedy.