← Adam's Rib
Adam's Rib poster

Adam's Rib · reception & legacy

1949 · George Cukor

How Adam's Rib has been received, argued over, and remembered.

The arc

A hit on release and one of the most warmly reviewed of the Tracy–Hepburn pictures, it has only climbed since — now a National Film Registry title and a fixture on lists of the greatest American comedies, routinely called the best of their nine films together.

What's debated

The perennial fight is over its gender politics: is this genuinely ahead-of-its-time feminist filmmaking, or a battle-of-the-sexes comedy that ultimately plays it safe? Every rewatch thread relitigates it.

Its footprint

It's the template practically every 'sparring couple who are also professional rivals' comedy gets measured against, and its DNA runs through decades of courtroom and screwball descendants — it even spawned a 1973 TV series of the same name. Cole Porter contributed an original song, 'Farewell, Amanda,' written for the film.

Where it stands

Firmly canon rather than cult — the consensus pick for peak Tracy–Hepburn and a 'you must have seen this' entry for anyone working through classic Hollywood comedy.

★ Did you know? Katharine Hepburn and George Cukor used the film to champion Judy Holliday, giving her scene-stealing room in a key supporting role — a showcase widely credited with helping her land the lead in Born Yesterday (1950), which won her the Best Actress Oscar.