
2015 · Thomas Vinterberg
How Far from the Madding Crowd has been received, argued over, and remembered.
Greeted in 2015 as handsome but 'safe' — solid reviews, mild surprise that a Dogme 95 rebel had made a lush costume drama — it has since settled into life as a quietly beloved comfort watch, with Letterboxd affection for it growing steadily.
The perennial fight is 1967 vs 2015: does Vinterberg's leaner, warmer take improve on Schlesinger's Julie Christie classic, or does its two-hour runtime sand down too much Hardy?
Bathsheba's line 'It is difficult for a woman to define her feelings in language which is chiefly made by men to express theirs' became the film's calling card, and Matthias Schoenaerts' Gabriel Oak is routinely invoked online as the gold standard of the patient, green-flag romantic hero.
Not a canon climber so much as a dependable Letterboxd comfort-film — the period romance people rewatch and evangelise rather than argue over.