
1965 · Sidney Lumet
How The Hill has been received, argued over, and remembered.
Buried on release — it landed between Goldfinger and Thunderball and audiences wanting Bond stayed away — despite winning Best Screenplay at Cannes. Now it's routinely ranked among Sidney Lumet's very best and the standard exhibit that Sean Connery was a great actor, not just 007.
The perennial fight: is this Connery's best performance, or does Harry Andrews' monstrous Sergeant Major quietly steal the whole film out from under him?
It's the go-to citation in every 'Connery beyond Bond' conversation, and its sun-blasted black-and-white prison-camp brutality became a reference point for later military-detention dramas — the hill itself is one of cinema's great cruel images.
A cinephile handshake — the beloved-but-underseen Lumet deep cut that Letterboxd users push on anyone who thinks they've seen all his essentials.