
2014 · Hiromasa Yonebayashi
How When Marnie Was There has been received, argued over, and remembered.
Released under a cloud — it landed just as Studio Ghibli announced its production halt, so it was received as a melancholy 'last Ghibli film' and a minor one at that, despite an Oscar nomination. A decade on it's been warmly reappraised, especially by queer viewers, as one of the studio's most quietly devastating works.
The forever-debate is the queer reading: whether Anna and Marnie's bond is one of animation's great sapphic love stories or whether the film's resolution walks it back — 'they de-gayed it' vs. 'it was never that' is a Letterboxd comment-section staple.
It's become a touchstone of queer animation discourse and a fixture on 'saddest Ghibli' and 'most underrated Ghibli' lists — the go-to answer when someone asks which Ghibli film nobody talks about enough.
A canon climber: dismissed as minor Ghibli at release, now a Letterboxd favourite with a devoted contingent who insist it belongs alongside the studio's classics.