
1965 · John Schlesinger
How Darling has been received, argued over, and remembered.
A sensation in 1965 — three Oscars including Julie Christie's Best Actress, plus a Best Picture nomination — but its stock has fallen further than almost any of its Swinging London peers, with modern viewers often finding its satire of the very scene it embodies smug and dated, even as Christie herself remains luminous.
The perennial fight: is it a genuinely sharp takedown of sixties celebrity emptiness, or moralizing that aged worse than the shallowness it was mocking — and did Christie's Oscar reward the right 1965 performance?
It's the shorthand film for the Swinging London 'It girl' — Christie's Diana Scott became a sixties fashion and attitude touchstone, and the title still gets invoked whenever cinema takes on fame, models, and media culture.
A faded-canon curio now: essential for Julie Christie completists and British New Wave surveys, but mostly remembered as the film that made her a star rather than a film people rewatch for itself.