Sightlines · reception

How Scott Pilgrim vs. the World was received

2010 · Edgar Wright · Scott Pilgrim vs. the World on Sightlines

The arc

Famously flopped in August 2010 — opening the same weekend as The Expendables and Eat Pray Love — before pulling off one of the decade's cleanest flop-to-cult-classic arcs, complete with anniversary theatrical re-releases and the entire main cast reuniting to voice the 2023 Netflix anime Scott Pilgrim Takes Off.

What’s debated

The forever-debate: is Scott a deliberately-written jerk the film is critiquing, or does the movie let him off too easy — with the Ramona-as-manic-pixie-dream-girl question fought out in the replies every time.

Its footprint

'I'm in lesbians with you,' 'bread makes you fat?', and the Vegan Police live on as quotes, Ramona's ever-changing hair is a perennial cosplay and Halloween staple, and the cast list reads like a who's-who of stars-before-they-were-stars (Chris Evans, Brie Larson, Anna Kendrick, Aubrey Plaza, Kieran Culkin).

Where it stands

A defining millennial cult object — the kind of Letterboxd four-star comfort rewatch that gets called 'ahead of its time' in roughly every third review.

Did you know? Beck wrote and composed Sex Bob-omb's garage-rock songs for the film, while Metric supplied The Clash at Demonhead's 'Black Sheep' — real bands ghostwriting the fictional battle of the bands.

Named by the director

  • Phantom of the Paradise (1974) — Wright and co-writer Michael Bacall explicitly nodded to De Palma's rock-opera, modeling the record-mogul villain Gideon on Paul Williams' Swan.
  • Gene Kelly — Wright said he studied MGM-era Gene Kelly musicals, wanting the fights to erupt the way musical numbers do.
  • Jackie Chan — Wright cited late-'70s/'80s Jackie Chan films, noting they're structured like musicals — the model for the film's fight choreography.
  • John Woo — Wright pitched the film's action as 'Gene Kelly meets John Woo' — musical grace colliding with stylized action cinema.

A Deleuzian reading of Scott Pilgrim vs. the World →