
2014 · Jean-Pierre Dardenne
How Two Days, One Night has been received, argued over, and remembered.
A Cannes 2014 critical darling that shockingly left the festival empty-handed, it's since climbed steadily — now routinely named among the best films of the 2010s and the crown jewel of the Dardennes' late period.
Fans still argue over whether casting a genuine movie star like Marion Cotillard broke the Dardennes' non-professional realist method or produced its ultimate vindication — and whether the film's deliberately repetitive door-to-door structure is hypnotic or exhausting.
It became the touchstone for post-2008 austerity cinema — the film people reach for whenever movies about precarious work, solidarity, and the gig-ified economy come up.
A modern arthouse essential and Letterboxd favourite — the consensus entry point for the Dardennes, anchored by a Cotillard performance regularly called one of the decade's best.