
2004 · Masaaki Yuasa
How Mind Game has been received, argued over, and remembered.
Barely seen on release — a tiny Japanese theatrical run and no official US release for over a decade — it circulated as a fansub legend before GKIDS finally brought it to America in 2018, by which point Yuasa's later fame (Tatami Galaxy, Devilman Crybaby) had retroactively crowned it his big-bang debut.
The perennial debate: is it a profound film about seizing life or pure sensory maximalism — 'style over substance' skeptics vs. fans who insist the style IS the substance — plus the eternal 'is this or Tatami Galaxy peak Yuasa?' argument.
Its delirious climactic sequence is a fixture of 'greatest animated sequences ever' conversations, and the film itself is animation-heads' go-to exhibit for the argument that anime can look like literally anything.
A classic bootleg-era cult object turned Letterboxd darling — the 'you haven't seen Mind Game?!' film that animation obsessives use as a secret handshake.