
1962 · Jean-Pierre Melville
How Le Doulos has been received, argued over, and remembered.
Received as a solid but knotty policier in 1963 France, it spent decades in the shadow of Le Samouraï — then the 2000s restorations and a Rialto/Criterion revival recast it as one of Melville's essential noirs.
The perennial fight: is the deliberately labyrinthine, who's-lying-to-whom plot a masterstroke of noir ambiguity or just needlessly confusing on first watch?
Quentin Tarantino has repeatedly championed it, calling it a favorite screenplay and an influence on his own crime films — and Belmondo in trench coat and fedora remains one of the defining images of French neo-noir cool.
The Melville-heads' pick: less famous than Le Samouraï or Army of Shadows, but a 'you must see this' badge among hardcore crime-cinema fans on Letterboxd.