
1961 · Pietro Germi
How Divorce Italian Style has been received, argued over, and remembered.
A smash on release — Cannes prize for Best Comedy, then an Oscar for Best Original Screenplay, a rare feat for a foreign-language film. Today it's remembered as the film that crystallised commedia all'italiana, even if Fellini and Antonioni hog the era's canonical spotlight.
The evergreen debate: are we laughing at the Baron or with him — is it a razor-sharp satire of the honour-killing culture it depicts, or does the comedy let its scheming husband off too easily?
The title literally named a genre — 'commedia all'italiana' entered the critical vocabulary via this film — and spawned an endless '…, Italian Style' headline template. Mastroianni's slicked hair, cigarette holder and twitching facial tic became one of the era's most imitated comic silhouettes.
A 'you must have seen this' cornerstone of Italian comedy — the Criterion-approved entry point to commedia all'italiana and prime Mastroianni.