Sightlines · reception

How Divorce Italian Style was received

1961 · Pietro Germi · Divorce Italian Style on Sightlines

The arc

A smash on release — Cannes prize for Best Comedy, then an Oscar for Best Original Screenplay, a rare feat for a foreign-language film. Today it's remembered as the film that crystallized commedia all'italiana, even if Fellini and Antonioni hog the era's canonical spotlight.

What’s debated

The evergreen debate: are we laughing at the Baron or with him — is it a razor-sharp satire of the honor-killing culture it depicts, or does the comedy let its scheming husband off too easily?

Its footprint

The title literally named a genre — 'commedia all'italiana' entered the critical vocabulary via this film — and spawned an endless '…, Italian Style' headline template. Mastroianni's slicked hair, cigarette holder and twitching facial tic became one of the era's most imitated comic silhouettes.

Where it stands

A 'you must have seen this' cornerstone of Italian comedy — the Criterion-approved entry point to commedia all'italiana and prime Mastroianni.

Did you know? Marcello Mastroianni's turn as the Baron made him the first actor ever nominated for the Best Actor Oscar for a performance in a foreign language — playing gleefully against his suave Latin-lover image.

A Deleuzian reading of Divorce Italian Style →