
1966 · Robert Bresson
How Au Hasard Balthazar has been received, argued over, and remembered.
Godard hailed it on release as 'the world in an hour and a half,' but general audiences found Bresson's austerity forbidding and it took years to travel (it didn't open in the US until 1970). Now it's consensus-masterpiece territory — a fixture near the top of Sight & Sound's greatest-films polls.
The eternal Bresson split: is this the most profoundly moving film ever made or a punishing endurance test — 'transcendental style' versus 'nothing happens and everyone is miserable'?
It's the art-house 'donkey movie' every other donkey movie gets measured against — Skolimowski's Oscar-nominated EO (2022) is an explicit homage, and Godard's 'the world in an hour and a half' remains one of the most quoted blurbs in cinephilia.
Peak canon and a Letterboxd rite of passage — the film that turns up on every 'saddest movies ever' list and every 'you're not a real cinephile until' thread.