
2001 · Jean-Pierre Jeunet
How Amélie has been received, argued over, and remembered.
A colossal crowd-pleaser in 2001 — five Oscar nominations, France's biggest export hit in years — it later became the go-to punching bag for 'twee', with critics (famously Serge Kaganski in Les Inrockuptibles) attacking its postcard-perfect, sanitized Montmartre. It has since settled into beloved comfort-classic status, backlash largely absorbed.
The eternal split: is it a generous, life-affirming charmer or insufferably twee whimsy peddling a scrubbed-clean fantasy Paris?
The globe-trotting garden gnome photos became a real-world prank phenomenon, the Café des Deux Moulins turned into a pilgrimage site, and Yann Tiersen's 'Comptine d'un autre été' is arguably the most-replayed piano piece on the internet — plus cracking a crème brûlée with a spoon is forever 'an Amélie thing'.
A gateway foreign-language film for a whole generation and a perennial Letterboxd favourite — the comfort-film canon's French ambassador.