
1978 · Richard Donner
How Superman has been received, argued over, and remembered.
A massive hit in 1978 — audiences really did 'believe a man can fly' — it earned a Special Achievement Oscar for its visual effects; today it's revered as the blueprint every superhero origin movie still gets measured against, with Christopher Reeve's dual performance only growing in stature.
Fans endlessly relitigate the time-reversal ending — audacious movie magic or a cheat that breaks the film's own rules — alongside the eternal Superman vs. Superman II (and Donner Cut) ranking wars.
The tagline 'You'll believe a man can fly,' John Williams' fanfare, and the shirt-rip reveal are permanent cultural furniture, referenced and parodied everywhere from The Simpsons to every subsequent cape movie; Reeve's glasses-and-posture Clark Kent is the go-to example in any 'how disguises work in movies' conversation.
It's the consensus granddaddy of the superhero genre — a 'you must have seen this' foundational text that cinephiles who roll their eyes at comic-book movies still exempt from the eye-roll.