Sightlines · how to watch

How to watch Juliet of the Spirits

1965 · Federico Fellini · Juliet of the Spirits on Sightlines

5 things to watch and listen for on a first viewing, without spoilers, and 3 more once you have seen it. Each names something you can see or hear, the pattern it belongs to, and what noticing it gives you. How these keys work.

On a first viewing

  1. Watch how pale the house looks next to any vision. (light)

    Giulietta's real world stays bleached in whites and beiges while every vision and Suzy's world floods into saturated reds, oranges, and purples.

    Payoff: The film hands feeling over to color instead of to dialogue. In the reading: affective color-image. The reading calls this the affective color-image: a color that carries a whole scene's feeling rather than just describing how things look.

  2. Notice visions arriving on a hard cut, never a dissolve. (cutting)

    The editing refuses the soft dissolves classical films use to mark a fantasy; spirits and memories cut in exactly like any other scene, carrying the same weight as anything Giulietta actually does.

    Payoff: What is imagined looks exactly as real on screen as what is actually happening around her. In the reading: dream-image (onirosign). The reading calls this a dream-image: a vision cut loose from any dated memory, given the same weight as anything real.

  3. Watch figures crowd every edge of a busy scene. (staging)

    Fellini fills every plane of the image in vision and crowd sequences, so the frame's borders are never quiet or empty.

    Payoff: The visual density puts you inside Giulietta's overloaded state of mind.

  4. Listen for dissonance creeping into the carousel melodies. (sound)

    Nino Rota's score mixes his familiar carnival tunes with passages of atonal sound and distorted folk melody whenever a vision appears.

    Payoff: The music itself signals when you have crossed into Giulietta's inner world.

  5. Watch Giulietta's face stay uncertain rather than expressive. (performance)

    Masina plays restraint here, a watchful attentiveness rather than the mime-like expressiveness of her earlier Fellini roles.

    Payoff: Her stillness gives away less than you expect, keeping her inner life private even from you.

The 3 rewatch keys open on this page when you choose "Seen it?".

Carry this in: Watch the color drain from every ordinary room and flood into every vision. The palette is carrying the feeling.

A Deleuzian reading of Juliet of the Spirits →

How Juliet of the Spirits was received →