
1997 · Kazuya Tsurumaki
How Neon Genesis Evangelion: The End of Evangelion has been received, argued over, and remembered.
In 1997 it landed as a shockwave — a brutal, confrontational 'real ending' delivered to a fanbase already at war over the TV finale, and plenty walked out baffled or furious. Today it's near-universally canonised, routinely called one of the greatest animated films ever made and the definitive way the story ends.
The forever-debate: is it Anno's sincere, cathartic conclusion or a magnificent middle finger to the fans who demanded it — and is the ending hopeful or despairing?
'Komm, süsser Tod' has become internet shorthand for cheerfully-scored apocalypse, and the film's imagery is endlessly referenced, memed, and imitated across anime and beyond. Its influence on how pop culture depicts the end of the world is hard to overstate.
A Letterboxd titan — it sits among the highest-rated films on the entire platform, the rare anime film treated as untouchable canon by cinephiles who watch nothing else animated.
Influences Kazuya Tsurumaki has publicly named — the director's own word, distinct from the inferred lines of influence.