
1953 · Yasujirō Ozu
How Tokyo Story has been received, argued over, and remembered.
Japanese studios thought Ozu was 'too Japanese' to travel, so the West barely saw it until the late 1950s — then it won the Sutherland Trophy in London in 1958 and never stopped climbing, eventually topping the 2012 Sight & Sound directors' poll as the greatest film ever made.
The eternal first-watch fight: is its stillness transcendent or just slow — 'nothing happens' versus 'everything happens', replayed in every Letterboxd comment section.
The exchange 'Isn't life disappointing?' — 'Yes, it is,' said with a smile — is one of the most quoted moments in world cinema, and the low tatami-level camera has become visual shorthand for Ozu himself, imitated and homaged by directors everywhere.
An immovable pillar of the canon — the 'you must have seen this' of Japanese cinema, sitting at or near the top of Sight & Sound polls for decades.