← The Fifth Element
The Fifth Element poster

The Fifth Element · reception & legacy

1997 · Luc Besson

How The Fifth Element has been received, argued over, and remembered.

The arc

Critics in 1997 were split — it opened Cannes to a mix of boos and cheers, and American reviews called it gorgeous nonsense — but it was a big international hit and has since settled into beloved cult-classic status, routinely cited as one of the great maximalist sci-fi films.

What's debated

The eternal fault line is Chris Tucker's Ruby Rhod: for half the audience he's the film's chaotic soul, for the other half he's the reason they can't finish it — plus the perennial 'style over substance' charge that fans wear as a badge.

Its footprint

'Multipass!' is a permanent meme, Leeloo's orange straps and Korben's tank top are convention-cosplay staples, and the blue Diva's opera scene is one of the most referenced (and remixed) sequences in 90s sci-fi.

Where it stands

A canonical cult object and Letterboxd comfort-watch — the go-to answer for 'weird big-budget sci-fi that could never get made today'.

★ Did you know? It was the most expensive European-financed film ever made at the time (~$90 million), with its world designed by French comic-book legends Jean 'Moebius' Giraud and Jean-Claude Mézières — and Prince was Besson's original choice to play Ruby Rhod.