
1997 · Luc Besson
How The Fifth Element has been received, argued over, and remembered.
Critics in 1997 were split — it opened Cannes to a mix of boos and cheers, and American reviews called it gorgeous nonsense — but it was a big international hit and has since settled into beloved cult-classic status, routinely cited as one of the great maximalist sci-fi films.
The eternal fault line is Chris Tucker's Ruby Rhod: for half the audience he's the film's chaotic soul, for the other half he's the reason they can't finish it — plus the perennial 'style over substance' charge that fans wear as a badge.
'Multipass!' is a permanent meme, Leeloo's orange straps and Korben's tank top are convention-cosplay staples, and the blue Diva's opera scene is one of the most referenced (and remixed) sequences in 90s sci-fi.
A canonical cult object and Letterboxd comfort-watch — the go-to answer for 'weird big-budget sci-fi that could never get made today'.