
1966 · Gillo Pontecorvo
How The Battle of Algiers has been received, argued over, and remembered.
It won the Golden Lion at Venice in 1966 — where the French delegation walked out — and was effectively banned in France until 1971. Once contraband, it's now near-universal canon: routinely called the greatest political film ever made.
Film fans still argue over whether its famed even-handedness is real or whether the film's heart is plainly with the insurgents — and whether that even matters.
In 2003 the Pentagon famously screened it for officers during the Iraq War, under a flyer asking how you win militarily but lose the war of ideas — sealing its reputation as the film governments and revolutionaries alike study. Its newsreel look has been imitated so widely it became the default grammar for 'political realism' on screen.
A permanent Sight & Sound fixture and a 'you must have seen this' pillar of political cinema — less a cult object than required viewing.
Influences Gillo Pontecorvo has publicly named — the director's own word, distinct from the inferred lines of influence.