Sightlines · how to watch

How to watch The Black Stallion

1979 · Carroll Ballard · The Black Stallion on Sightlines

4 things to watch and listen for on a first viewing, without spoilers, and 2 more once you have seen it. Each names something you can see or hear, the pattern it belongs to, and what noticing it gives you. How these keys work.

On a first viewing

  1. Listen for breath, snorts, and hooves instead of dialogue. (sound)

    For roughly half an hour on the island nobody speaks, and the horse is built almost entirely out of sound, mixed close against the wash of surf.

    Payoff: With no dialogue available, sound stops being background and becomes the only information you get. In the reading: pure optical & sound situations (opsign/sonsign). The reading calls these pure optical and sound situations: moments built for watching and listening, with no action available to take.

  2. Notice the camera sitting low, near a child's or horse's height. (camera)

    Deschanel keeps the camera patient and close to the ground throughout the island section, rather than shooting down at the boy from an adult's eye level.

    Payoff: The low camera cannot cut to a reaction shot, so it has to build meaning out of distance instead.

  3. Watch how much ground separates the boy and the horse. (staging)

    Alec advances and the horse withdraws, over and over, and the distance between them narrows scene by scene rather than being explained in a line of dialogue.

    Payoff: You can read the whole trust-building process off the space between two bodies on an empty beach.

  4. Notice the sand and the horse exposed in the same shot. (light)

    Deschanel times the island photography to the low sun so both bleached white sand and the black stallion stay visible together in a single frame.

    Payoff: Getting a black horse and white sand in one exposure took real technical discipline, and you can see it working.

The 2 rewatch keys open on this page when you choose "Seen it?".

Carry this in: Watch the space between the boy and the horse. Trust is built there, in silence, long before the race.

A Deleuzian reading of The Black Stallion →

How The Black Stallion was received →