Sightlines · how to watch

How to watch Intermission

2003 · John Crowley · Intermission on Sightlines

4 things to watch and listen for on a first viewing, without spoilers, and 3 more once you have seen it. Each names something you can see or hear, the pattern it belongs to, and what noticing it gives you. How these keys work.

On a first viewing

  1. Notice a man stirring brown sauce into his tea. (setting)

    The film grounds its ensemble in small, faintly grotesque domestic details like this instead of glamour, treating ordinary appetite as a kind of character work.

    Payoff: The film tells you immediately this will be a world without gloss, one grubby detail at a time.

  2. Watch a consequence in one storyline set up another. (cutting)

    Lucia Zucchetti interleaves a dozen-odd characters so an event in one strand lands as the trigger for the next, sustaining momentum across a large cast without losing you.

    Payoff: Nothing here causes the next thing cleanly; it just leaks sideways into somebody else's life. In the reading: weak links. The reading calls these loose connections weak links, causality slackened enough that consequences ricochet rather than follow directly.

  3. Watch Colm Meaney's cop narrate his own toughness. (performance)

    Detective Jerry Lynch wants a documentary crew to film his own hard-man heroics, performing a self-mythologizing legend of himself for anyone who'll point a camera at him.

    Payoff: He isn't just vain, he's building a myth of himself in real time because the culture is hungry for it. In the reading: fabulation / legending. The reading calls this fabulation, a character caught in the act of narrating himself into his own legend.

  4. Notice the camera crowding close on faces, not the room. (camera)

    Ryszard Lenczewski shoots handheld and tight, privileging reaction over establishing geography, so you're often given a flinch before you're given the space it happens in.

    Payoff: You're kept close to feeling first and geography second, which suits an ensemble this crowded.

The 3 rewatch keys open on this page when you choose "Seen it?".

Carry this in: Watch how one small, clumsy decision ripples sideways into everyone else's storyline.

A Deleuzian reading of Intermission →

How Intermission was received →