Sightlines · reception

How All That Jazz was received

1979 · Bob Fosse · All That Jazz on Sightlines

The arc

Critics in 1979 split hard — many called it self-indulgent and morbid even as it racked up nine Oscar nominations and shared the Palme d'Or with Kagemusha. Today the 'indulgence' is the point: it's canonized as one of the greatest movie musicals and a landmark of editing.

What’s debated

The eternal fight: is Fosse's self-portrait brutally honest self-laceration, or the most flattering hatchet job a man ever gave himself?

Its footprint

'It's showtime, folks!' — mirror, eye drops, Vivaldi — is one of cinema's most quoted morning routines, and the film is the reference point for every 'making art will kill you' story since; its razor-cut editing style echoes through music videos and awards-season montages alike.

Where it stands

A cinephile rite of passage and Letterboxd darling — the musical people recommend to friends who claim they hate musicals.

Did you know? Richard Dreyfuss was originally cast as Joe Gideon but dropped out before shooting, and Roy Scheider — then best known for Jaws — took the role and earned a Best Actor nomination.

A Deleuzian reading of All That Jazz →