Sightlines · reception

How New World was received

2013 · Park Hoon-jung · New World on Sightlines

The arc

A solid hit in Korea in 2013, it spent the next decade climbing from genre-fan favorite to consensus classic abroad — with a fresh wave of discovery after Squid Game sent viewers hunting down Lee Jung-jae's back catalog.

What’s debated

The perennial fight: is it just Korea's answer to Infernal Affairs and The Departed, or does it flat-out beat both of them?

Its footprint

Hwang Jung-min's swaggering, endlessly-quoted 'brother~' greeting and the parking-garage elevator knife fight are the film's calling cards — the latter routinely shows up on lists of the great modern action set pieces.

Where it stands

A pillar of the modern Korean gangster canon and a Letterboxd word-of-mouth staple — the 'if you liked Oldboy, now watch this' recommendation.

Did you know? Before directing New World, Park Hoon-jung made his name as the screenwriter of two other Korean crime landmarks: Kim Jee-woon's I Saw the Devil and Ryoo Seung-wan's The Unjust (both 2010).

A Deleuzian reading of New World →