
1947 · Delmer Daves
How Dark Passage has been received, argued over, and remembered.
Dismissed in 1947 as the weakest of the Bogart-Bacall vehicles and knocked for its central gimmick, it's since been reclaimed by noir fans as one of the great San Francisco films and a bold formal experiment ahead of its time.
The eternal fan debate: is the long first-person-camera stretch a daring stroke or a stunt that keeps you at arm's length from Bogart — and does the film rank third or fourth among the four Bogie-and-Bacall pictures?
The film turned the Art Deco Malloch Building at 1360 Montgomery Street into a noir pilgrimage site — San Francisco cinephiles still climb the Filbert Steps to photograph Bacall's apartment, and the subjective-camera opening is endlessly cited alongside Lady in the Lake as Hollywood's great POV experiment.
The connoisseur's pick of the Bogart-Bacall quartet — perpetually 'underrated' on Letterboxd, beloved by noir completists and San Francisco location obsessives.