
2004 · Michael Mann
How Collateral has been received, argued over, and remembered.
A hit with critics and audiences in 2004, it's only grown since — now routinely called a landmark of early digital cinematography and the definitive nocturnal Los Angeles movie, with the 'Mann-hive' treating it as sacred text.
Film fans endlessly debate whether Vincent is Tom Cruise's best performance — the one great against-type villain turn — and whether this was Michael Mann's last unambiguous masterpiece.
The alley disarm — 'Yo homie, is that my briefcase?' — is one of the most-clipped gun-handling scenes ever, praised even by firearms trainers, and Cruise's grey suit and silver hair remain instantly recognizable shorthand for the cool professional killer.
A modern-classic canon climber and Letterboxd favourite — the go-to answer for 'digital cinematography done right' and peak 2000s Michael Mann.