
1965 · Robert Wise
How The Sound of Music has been received, argued over, and remembered.
Critics sneered in 1965 — Pauline Kael's famously savage pan reportedly cost her a job — but audiences made it the highest-grossing film of all time, dethroning Gone with the Wind. Six decades on, the public won: it's untouchable comfort-canon, complete with sing-along screenings.
The eternal split: is it saccharine studio kitsch the critics were right about, or does its sheer craft and sincerity make the cynics the real problem?
The spinning-on-the-mountaintop opening is one of cinema's most parodied images, and 'the hills are alive' escaped the movie entirely; 'My Favorite Things' and 'Do-Re-Mi' are cultural furniture, and sing-along screenings are a global ritual.
A 'you must have seen this' family classic — less a cinephile cause than a shared childhood text people return to unironically.