
1986 · Alex Cox
How Sid and Nancy has been received, argued over, and remembered.
Well reviewed in 1986 — Ebert gave it four stars and Gary Oldman was instantly anointed — but punk insiders trashed it, with John Lydon dismissing it as pure fantasy. Forty years on it's a Criterion-canonised cult classic, remembered less as a biopic than as the definitive doomed-romance myth of punk.
The eternal fight: is it a great film or a fabrication that romanticises heroin and gets punk completely wrong — a debate Johnny Rotten himself started and film fans have never settled.
The couple's names became cultural shorthand for toxic, all-consuming love — countless songs and reviews invoke 'Sid and Nancy' for any destructive romance — and the slow-motion alley kiss under falling garbage is one of the most referenced images in 80s cinema.
A certified cult object and Letterboxd staple: the breakout-Oldman performance everyone's told to see, filed permanently under great rock films that the rockers themselves disowned.