
2006 · Tarsem Singh
How The Fall has been received, argued over, and remembered.
It premiered at Toronto in 2006 to a split house, sat two years without a US distributor, and flopped on release in 2008 despite Roger Ebert's rapturous four-star defense — then spent a decade out of print, its unavailability turning it into a holy-grail object until MUBI's 2024 4K restoration completed the flop-to-classic arc.
The forever fight: is it 'pure cinema' or the world's most expensive screensaver — style-over-substance skeptics vs. defenders who argue the images ARE the substance.
It's a Tumblr-and-Letterboxd screenshot legend — the desert vistas, the costumes by the late Eiko Ishioka — a permanent fixture on 'most beautiful films ever made' lists, with David Fincher and Spike Jonze lending their names as presenters to get it seen at all.
A cult object that finally climbed into the canon: for years the ultimate 'you can't even stream it' deep cut, now a certified Letterboxd darling post-restoration.
Influences Tarsem Singh has publicly named — the director's own word, distinct from the inferred lines of influence.