
1999 · Luis Estrada
How Herod's Law has been received, argued over, and remembered.
The Mexican government part-funded it, then tried to bury it — IMCINE dumped it into just two Mexico City theaters with zero promotion in late 1999. The censorship scandal backfired spectacularly: it became a national cause célèbre, a wide-release hit, and is now canonised as the film that dared to name the PRI on screen right before the party lost power in 2000.
Film fans still argue whether Estrada's sledgehammer satire is the point or the problem — and whether Herod's Law or his later El infierno is the true peak of his corruption cycle.
The title itself is a Mexican proverb about getting screwed either way, and the film welded that saying permanently to PRI-era politics — it gets dusted off and quoted every Mexican election season, with Damián Alcázar's small-town mayor as the country's shorthand for how power corrupts.
A cornerstone of modern Mexican cinema and a 'you must have seen this' for Mexican cinephiles — the opening chapter of Estrada and Alcázar's beloved political-satire cycle.