
2025 · Sang-il Lee
How Kokuho has been received, argued over, and remembered.
It premiered quietly in Cannes' Directors' Fortnight in May 2025, then became the sleeper phenomenon of the decade at home: a three-hour kabuki drama that word-of-mouth carried for months until it dethroned Bayside Shakedown 2's 22-year-old record to become the highest-grossing Japanese live-action film ever. By early 2026 it had swept the Japan Academy Prize nominations — from arthouse curio to national event in under a year.
The great injustice debate of the 2026 Oscar season: Japan's biggest live-action film ever made the international-feature shortlist and then got snubbed for the nomination (it had to settle for a Makeup & Hairstyling nod), which fans are still relitigating.
In Japan people talk about the 'Kokuho effect' — the film sent new, younger audiences streaming into actual kabuki theatres, with press crediting it with helping revive interest in the 400-year-old art form itself.
An instant 'you must see it on the biggest screen possible' modern epic — already being talked about as a new landmark of Japanese cinema rather than a cult object waiting for rediscovery.
Influences Sang-il Lee has publicly named — the director's own word, distinct from the inferred lines of influence.