
2016 · Andrew Stanton
How Finding Dory has been received, argued over, and remembered.
Landed in 2016 to warm reviews and a record-smashing box office (the biggest domestic opening ever for an animated film at the time), but it's since settled into 'solid, second-tier Pixar' status — routinely cited in the mid-2010s Pixar-sequel-fatigue conversation rather than alongside the studio's classics.
The perennial fight: is this a genuinely moving film about disability and family, or Exhibit A for Pixar coasting on sequels to films that didn't need them?
Its release was preceded by one of pop culture's longest-running bits — Ellen DeGeneres spent over a decade publicly campaigning for it on her talk show — and Baby Dory ('I suffer from short-term remembery loss') became instantly meme-able, while 'just keep swimming' got a second life as the franchise's unofficial motto.
Comfortably watched, rarely canonised — it sits in the 'good Pixar sequel' tier on Letterboxd, more beloved by families than by cinephiles, and almost always ranked mid-table in Pixar ranking lists.