Sightlines · reception

How Violent Cop was received

1989 · Takeshi Kitano · Violent Cop on Sightlines

The arc

In 1989 Japan this landed as a shock — TV comedian 'Beat Takeshi' making a stone-faced, brutal cop picture nobody asked for. Once Sonatine and Hana-bi made Kitano an international auteur in the '90s, it was retroactively canonized as one of the great directorial debuts in crime cinema.

What’s debated

The eternal fan debate: is this fully-formed Kitano right out of the gate, or a rough draft you only rate highly because you know what came after?

Its footprint

It minted the whole 'Beat Takeshi' screen persona — the dead-eyed stare, the sudden slap, the long deadpan walks — a visual language that's been referenced and GIF'd ever since, and it was famously pitched to audiences as Japan's answer to Dirty Harry.

Where it stands

A cult cornerstone of Japanese crime cinema and the mandatory first stop for anyone working through Kitano's filmography.

Did you know? The film was originally set to be directed by Kinji Fukasaku (Battles Without Honor and Humanity); when he dropped out — partly because Kitano's TV commitments limited shooting days — Kitano, who had never directed before, took over himself and heavily rewrote the script, stripping out most of the dialogue.

A Deleuzian reading of Violent Cop →