
1972 · Stan Brakhage
How The Act of Seeing with One's Own Eyes has been received, argued over, and remembered.
For decades it was a rumour more than a movie — rarely screened, whispered about as the avant-garde film almost nobody could sit through. Criterion's By Brakhage anthology put it in living rooms, and it's since been canonised as one of the most serious things experimental cinema ever did.
The eternal Letterboxd fight: is this a profound, unflinching meditation on mortality, or has it just become a dare — an 'extreme cinema' checkbox people log for the badge rather than actually watch?
It's the ur-text of 'most disturbing films ever made' lists, sitting oddly alongside shock-horror despite being a silent, painterly art film — the one entry on those lists that critics defend as a masterpiece.
A 'you must have seen it — or at least claim you couldn't finish it' pillar of the avant-garde canon, and the most infamous third of Brakhage's Pittsburgh trilogy.