
1975 · Bryan Forbes
How The Stepford Wives has been received, argued over, and remembered.
Dismissed by many in 1975 as a glossy, slow thriller — Betty Friedan famously trashed it as a rip-off of the women's movement — it's since been reclaimed as a foundational feminist-horror satire, its stock rising further every time a remake or imitator fails to match it.
Fans still argue whether it's a genuinely feminist film or a male filmmaker's condescending take on feminism — and whether the deliberate slow burn is masterful or just slow.
It gave the language 'Stepford wife' — a dictionary-level idiom for eerie, compliant perfection — and its DNA runs through everything from the 2004 remake to Get Out, which Jordan Peele has cited as drawing on it.
A cult classic turned canon climber: the feminist-horror touchstone that suburban-dystopia movies still get measured against.