
1960 · Roberto Gavaldón
How Macario has been received, argued over, and remembered.
An Oscar nominee and Cannes competitor on release, it's stayed a jewel of Mexico's Golden Age — a perennial Día de los Muertos rewatch at home, while international cinephiles keep 'rediscovering' it decades later.
The recurring gripe among fans: why does Bergman's Death get all the arthouse glory while Macario remains criminally under-seen outside Mexico?
The cave of candles — every flame a human life — is one of Mexican cinema's most referenced images, and the film is practically a national Day of the Dead ritual, aired and rewatched every November.
A cornerstone of the Mexican canon and a 'you must see this' handed to anyone exploring Golden Age Mexican cinema on Letterboxd.