
2008 · Kathryn Bigelow
How The Hurt Locker has been received, argued over, and remembered.
Premiered quietly at Venice in 2008 and barely made a dent at the box office, then swept the 2010 Oscars — it's since become famous as the Best Picture winner almost nobody had actually seen, and its reputation as a lean, nerve-shredding classic has only firmed up.
The forever-debate: did it deserve to beat Avatar, and does its jittery, adrenaline-junkie portrait of bomb disposal ring true — many veterans have called out its procedural liberties even as critics defend it as psychology, not documentary.
Its opening epigraph — 'war is a drug' — became shorthand for a whole strain of war-movie discourse, and the lumbering bomb-suit walk down an empty Baghdad street is one of the era's most referenced images; it also launched Jeremy Renner.
A locked-in modern-canon entry — the 'you must have seen this' Iraq War film and the historic milestone that made Kathryn Bigelow the first woman to win Best Director.