
1992 · Abel Ferrara
How Bad Lieutenant has been received, argued over, and remembered.
In 1992 it was an NC-17 scandal object — praised for Harvey Keitel's ferocity but treated by many as an endurance test — and it now sits comfortably as Abel Ferrara's signature film and a cornerstone of grimy 90s New York cinema.
Fans still argue whether it's a genuinely profound Catholic story of guilt and grace or just wallowing provocation with a rosary on top — and whether Werner Herzog's 2009 Nicolas Cage quasi-remake deserves to share the name.
It spawned one of cinema's funniest feuds: when Herzog made 'Bad Lieutenant: Port of Call New Orleans,' Ferrara publicly wished everyone involved would 'die in hell,' while Herzog cheerfully claimed he had no idea who Ferrara was. Keitel's no-limits performance remains shorthand for an actor holding absolutely nothing back.
A cult pillar of the 'transgressive 90s indie' canon — the Ferrara film even non-Ferrara people have seen, and a badge-of-honour logging on Letterboxd.