
1986 · Jean-Jacques Beineix
How Betty Blue has been received, argued over, and remembered.
A massive hit in 1986 France and an Oscar nominee for Best Foreign Language Film, yet critics sneered at it as 'cinéma du look' — all neon surface, no depth. The 3-hour 1991 director's cut prompted a genuine reappraisal, and many now insist the long version is the real film.
The forever-fight: swooning portrait of amour fou or a male fantasy that aestheticises a woman's mental breakdown — with a side debate over whether the theatrical cut or the hour-longer director's cut is the true version.
The poster — Betty's face against that blue twilight sky — became one of the most ubiquitous images of the era, a dorm-room and video-shop staple arguably more famous than the film itself; for a generation it was shorthand for doomed, sexy French romance.
A cornerstone of 80s cinéma du look alongside Diva and Subway — part cult erotic classic, part problematic fave, and still the film that made Béatrice Dalle an icon.