
2000 · Roger Donaldson
How Thirteen Days has been received, argued over, and remembered.
A box-office disappointment in 2001 despite solid reviews — its $80M budget never came close to earning out — it's since settled into 'underrated political thriller' status, regularly cited among the better dramatisations of the Cuban Missile Crisis.
The eternal debate: Kevin Costner's much-mocked Boston accent and his character's inflated importance — real-life insiders like Robert McNamara protested that Kenny O'Donnell was nowhere near that central to the crisis — versus a film that otherwise plays the history remarkably straight.
It became a classroom staple for teaching the Cuban Missile Crisis, and Bruce Greenwood's JFK is a recurring answer in 'best screen Kennedy' conversations.
A quintessential 'dad movie' — beloved-but-half-forgotten, the kind of sturdy grown-up thriller Letterboxd users periodically rediscover and ask why nobody makes anymore.