
1975 · Sydney Pollack
How Three Days of the Condor has been received, argued over, and remembered.
A solid hit in 1975 that critics treated as a slick star-vehicle thriller, it's since been canonised as a pillar of the decade's paranoid-conspiracy cycle alongside The Parallax View and The Conversation — helped by how uncannily its release coincided with the real Church Committee revelations about the CIA.
The perennial debate is the Redford–Dunaway romance, which modern viewers reliably flag as the film's 'this would never fly today' problem — that, and whether it's the third-best of the great 70s paranoia thrillers or secretly the most entertaining one.
It's the template for the 'ordinary analyst on the run from his own agency' story — Sneakers, Enemy of the State, and the Bourne films all live in its shadow, and the Russo brothers explicitly modelled Captain America: The Winter Soldier on it, casting Robert Redford as a knowing nod. It also spawned the 2018 TV series Condor.
A canon staple of 70s New Hollywood paranoia — the approachable, star-powered entry point to the conspiracy-thriller trilogy every cinephile is told to complete, with Max von Sydow's assassin Joubert a quiet Letterboxd favourite.