
1960 · Rogelio A. González
How The Skeleton of Mrs. Morales has been received, argued over, and remembered.
A hit and a scandal in 1960 Mexico — its gleeful anticlerical jabs somehow sailed past a conservative era's sensibilities — it has since been fully canonised, landing at #19 on Somos magazine's 1994 list of the 100 greatest Mexican films.
The perennial fight it starts: the film openly rigs your sympathies toward one half of a toxic marriage, and viewers still argue over whether they've been charmed into rooting for something they shouldn't.
In Mexico it's the black comedy — a TV-rerun staple and the default reference point whenever anyone talks about dark humor in Mexican cinema, with Arturo de Córdova's genial taxidermist among the country's most iconic screen performances.
A stone-cold classic of the late Golden Age in Mexico, and a 'why did nobody tell me about this' discovery for Letterboxd users outside the Spanish-speaking world.