
2026 · Antonin Baudry
How De Gaulle: Liberté has been received, argued over, and remembered.
Written off as a costly misfire when part one opened soft (~380,000 admissions in week one against a reported €75–100M budget for the diptych), it became summer 2026's word-of-mouth comeback in France — attendance actually climbed week over week, and French media ran with the irresistible headline that De Gaulle was 'resisting' at the box office.
The split is critics-vs-audiences: is this stirring old-school epic filmmaking with vintage-Hollywood sweep (Variety's take), or a conventional, over-long official portrait (Écran Large panned part two as a 'déboire général')?
It's really one half of a single giant film — France's mega-budget attempt at a homegrown historical blockbuster, known at home as 'La Bataille de Gaulle'; the subtitle 'J'écris ton nom' is lifted from Paul Éluard's Resistance poem 'Liberté'.
Too new for canon, but among film fans it's already the test case in the 'can European cinema still mount its own blockbusters?' conversation — and the rare part-two that some reviewers found grittier and stronger than part one.