
2006 · Stephen Frears
How The Queen has been received, argued over, and remembered.
An instant prestige hit in 2006 — Helen Mirren swept essentially every Best Actress prize going — and it's only grown in stature as the origin point of Peter Morgan's royal-obsession universe that became The Crown; Elizabeth II's death in 2022 sent a new wave of viewers back to it.
Film fans still argue over whether it's a sly, quietly subversive portrait of the monarchy or ultimately too sympathetic to it — a satire that loses its nerve and ends up burnishing the institution.
It fixed Helen Mirren as the definitive screen Elizabeth II and effectively launched the modern royal-drama industry: Peter Morgan spun its DNA into The Audience on stage and then The Crown, while Michael Sheen's Tony Blair (his second of three for Morgan) became the reference-point screen Blair.
A middlebrow-prestige classic that's aged into something more interesting — the cornerstone of the Peter Morgan royal cinematic universe and a fixture of 'great 2000s performances' lists.