← Repulsion
Repulsion poster

Repulsion · reception & legacy

1965 · Roman Polanski

How Repulsion has been received, argued over, and remembered.

The arc

A hit from the start — it won the Silver Bear at Berlin in 1965 and gave Polanski his English-language breakthrough — and it's only grown, now canonised as the first panel of his 'Apartment Trilogy' and a foundational text of psychological horror.

What's debated

The perennial fight is whether it's a genuinely empathetic portrait of a woman's unravelling or a male director's clinical gaze — folded into the larger, never-settled Letterboxd argument about rating Polanski at all.

Its footprint

The cracked walls and hands bursting from the corridor are among horror's most-referenced images, echoing through everything from Black Swan to countless 'descent into madness' films; 'Apartment Trilogy' itself became shorthand for urban-isolation horror.

Where it stands

A 'you must have seen this' for horror and arthouse cinephiles alike — the standard first stop for anyone tracing psychological horror's family tree.

★ Did you know? Polanski made Repulsion for Compton Films, a small British outfit best known for softcore 'nudie' pictures — he took the job largely to prove himself and fund the film he actually wanted to make, Cul-de-Sac.